Looking back at J Lo in this reveals and/or reminds the appeal she had even in 2000. She’s a detective out to catch a serial killer and he is quite elusive indeed.
“An FBI agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.” -IMDB
Jennifer Lopez Catherine Deane
Vince Vaughn Peter Novak
Vincent D’Onofrio Carl Stargher
Colton James Edward Baines
Horror, Sci-Fi, Thriller
Fri 18 Aug 2000 UTC
IMDB Rating: 6.3
The most important thing to note about this film is its visuals. They are creepy at least and horrifying at most. The visuals make this more than just a serial killer cat and mouse chase. Through a new technology, we get to see inside his thoughts, even through the murders themselves.
This movie may be hard to watch for some who are not open to its avaunt garde approach. It’s surreal and not always clear as to where people are or what is really happening.
Even by today’s standards, the effects in this are stunning. The acting and stories are not the best in this genre but they aerve the story well enough to make the film a fun ride. Despite it’s few flaws, I recommend it.
My review The Cell (2000) appeared first on Riley on Film.
This is a historical film showcasing the Warsaw Zoo that protected and hid over 500 jews during the holocaust reign of Hitler. there is excellent acting that makes an average script shine.
“The Zookeeper’s Wife tells the account of keepers of the Warsaw Zoo, Antonina and Jan Zabinski, who helped save hundreds of people and animals during the German invasion.” -IMDB
Jessica Chastain Antonina Zabinski
Johan Heldenbergh Jan Zabinski
Daniel Brühl Lutz Heck
Timothy Radford Ryszard Zabinski (Younger)
Angela Workman, Diane Ackerman
Biography, Drama, History, War
Fri 07 Apr 2017 UTC
IMDB Rating: 7.2
I love the scene where the Zookeper is bringing in a new Jew to the zoo and he is stopped and questioned by the Nazi police. They pass through but later on he shares with his wife he didnt know if he was going to be shot. its a powerful sequence and illustrates well what it must have been like.
To summarize this based on a true story plot, a small family run the Warsaw zoo. They get along with the animals incredibly well. Whenthe bombers of war attack, war is evident. the Zookeper and his famoly take in Jews and give them a place to be safe.
I loved the light cadence of this film. Chastain’s performance is nothing short of marvelous. The story drags a bit at the beginning but the final scenes makes it worthwhile.
My review The Zookeeper’s Wife appeared first on Riley on Film.
This is a repost from 2014. GREAT film!
I have to tell you about this movie, it’s a breath of fresh air in a 2014 Summer of mostly dull movies. This one flies above the rest. It’s concept is not unique but if you see this movie, you’ll be talking about it for days. It’s a bit like Groundhog day in concept. By that I mean, the same way Bill Murray’s character has to keep reliving the same day over and over again until he gets it right. In this case, the conflict is fighting aliens, and scary ones at that.
We see a funny Tom Cruise for a change. I recently saw “Oblivion,” an example of his serious sci-fi side in an excellent film.
He was the rough and tough sci-fi action hero. In “Edge of Tomorrow” it’s a lot of that but with laugh-a-minute deadpan humor thrown into the mix. Much of this humor consists of Emily Blunt beating him to a pulp to train him day after repeated day: hence the title “Edge of Tomorrow.” I liked this movie for many reasons and therefore highly recommend it. I am going to try and avoid spoilers on this blog because I know a lot of people like to leave the movie a mystery as they watch it unfold. Suffice it to say, the critics of all the major movie sites say the same thing as I.
Have you seen this film? What are your thoughts?
The post Edge of Tomorrow (2014) appeared first on Riley Film Reviews.
This was a oddly enjoyable multilingual experience. It has comedy, relationship drama, and a surprisingly large amount of nudity! While it may sound hard to believe, it’s all in there and it works to make this an amazing film. Toni Erdmann “A practical joking father tries to reconnect with his hard working daughter by creating …
Continue reading “Toni Erdmann (2016)”
The post Toni Erdmann (2016) appeared first on Riley on Film.
This was a oddly enjoyable multilingual experience. It has comedy, relationship drama, and a surprisingly large amount of nudity! While it may sound hard to believe, it’s all in there and it works to make this an amazing film.
“A practical joking father tries to reconnect with his hard working daughter by creating an outrageous alter ego and posing as her CEO’s life coach.” -IMDB
Sandra Hüller Ines Conradi
Peter Simonischek Winfried
Michael Wittenborn Henneberg
Thomas Loibl Gerald
Sun 25 Dec 2016 UTC
IMDB Rating: 7.6
I’m giving subtitles more of a chance and with this film, I sure am glad of that. This is one of the funniest films I’ve seen in recent years and it’s filled with relationships and real people to make the 2 hour running time go quickly. Oh, and then there’s the nudity. It supports the comedy well. It’s not Benny Hill by any means, in fact the nudity jokes are actually intellectual in fact.
Ok, now that I’ve piqued the interest of pervs out there like myself, I’ll get into the plot.
Toni is a retired guy in his late sixties, maybe older who is constantly playing practical jokes on people, especially his family. He’s played by a powerful actor with goofiness and finesse. The film is about 2/3 in German so make sure you can give the subtitles your full attention. One of his gags early in the film concerns the impersonation of his “brother” who ordered unmentionables. His daughter is a workaholic and after having been retired, he sets himself down the road of reconnecting with her while she is at work. The results are quite hilarious and at times very touching.
This is a diamond in the rough that I have missed for a while since I up to now haven’t liked watching subtitled films. When I decided to give it a shot, I was very pleased and realized the subtitles were not a hindrance at all. The comedy is top notch and sure to bring a belly laugh. The relationship between father and daughter is also a very touching story and worth the watch as well. The nudity towards the end is laugh a minute. I can find no fault in this film, for that reason I highly recommend it to all.
5 / 5
The post Toni Erdmann (2016) appeared first on Riley on Film.
Don’t go messing with the dead, that’s what this film is letting us know. Perhaps it’s better that door remain closed.
We Go On
“Paralyzed by his fear of dying, Miles Grissom is offering reward money to the first person who can show him a ghost…” -IMDB
Annette O’Toole Charlotte
Clark Freeman Miles
John Glover Dr. Ellison
Giovanna Zacarías Josephina
Jesse Holland, Andy Mitton
Andy Mitton (screenplay), Andy Mitton (story)
Drama, Horror, Thriller
Tue 07 Feb 2017 UTC
IMDB Rating: 6.4
This is a pretty good idea for a movie but it certainly doesn’t belong on a big screen. This film is enjoyable but not clever or ultra-creative in any way. To put it bluntly, we’ve seen this before. It’s a lot the The Sixth Sense the way supernatural and/or dead things cross his path. Unlike that film however, there are no mysterious curves in plot that deserve discussion over coffee.
I suppose the film is good enough on the couch as you’re preparing to fall asleep. The jump scares are very mild and nothing really comes close to scary or jarring. Will our hero learn about and believe in the afterlife? That is the question. He pays for a full page ad in the paper asking people to give him proof and the movie him seeking that proof through strangers. Do we go on? I won’t say, watch if you want to see what this film maker thinks.
This film is better suited to the drama genre. Nothing horror here but the same old tired cliches of seeing dead people. Having said that, it is cleanly made and has a beginning, middle, and an end so it’s something just worth watching at home when you are seriously out of any impressive horror to watch.
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