8 Movies in 8 Minutes

Throwing down 8 reviews before work 😉 Peeping Tom (1960), The Blackcoat’s Daughter (2015), Pet (2016), Movie Review: ‘E.T. The Extra Terrestrial’, Miss Sloane (2016), Cafe Society (2016), The Cell (2000), Pollock (2000)

Below are links to my written reviews of these films on my review site: Riley on Film.

The post 8 Movies in 8 Minutes appeared first on The Damien Riley Podcast.

The Blackcoat’s Daughter (2015)

If horror films are meant to shake you out of your comfort zone, this one definitely qualifies. It doesn’t make a whole lot of sense though and that’s a pity because some movie goers like sense.

The Blackcoat's Daughter

The Blackcoat’s Daughter

“Two girls must battle a mysterious evil force when they get left behind at their boarding school over winter break.” -IMDB


Emma Roberts Joan
Kiernan Shipka Kat
Lucy Boynton Rose
Lauren Holly Linda

Directed by

Oz Perkins

Written by

Oz Perkins

Other Info

Horror, Thriller
Fri 14 Oct 2016 UTC
IMDB Rating: 5.6

Imagine a director capable of creating Secretary and Legally Blonde. Were there ever any films so different? He meshes the two in a way with this film, combining horror with young college girl challenges.
Emma Roberts and Lucy Boynton plpay opposing roles and they do a spectacular job. The whole world fell in love with Boynton in Sing Street. The other had lesser parts in Aquamarine the series and Nerve. Their lovely faces are part of what makes this film so entrancing. It helps you weather the mystery, enjoying their performances.

These girls are at a boarding school at end of term. They seem to have been forgotten by their parents. Meanwhile, the priests and nun’s appear of a certain evil. There is a pan away set of scenes with another girl whose identity is unknown. The spanse of the film consists of figuring our what the hell is going on. Some would say we di in the end, I might question that.

I’ve never been big fan of non-linear stories. I like it when there is a little at the beginning or end but not throughout. I sense that’s what’s going on here. How can you interpret what people do if they may be in the past or future? It’s quite frustrating at times. What I do like here is the darkness and shadowed images. These actors do a great job and the screen is full of fearful scenes. What can make these characters do evil acts? We are left to figure that out for ourselves. Lots is left to the imagination. So,e may find that appealing. In this case, I saw that as a detractor to its quality.

We may not have to understand the killer completely but a few clues as to his/her motives help with the scares. A dark movie visually is more scary when the content is understandable dark and mysterious. This film doesn’t make it entirely clear why people do the things they do, even kill. For the mood and horror feel, I give it props but for lacking sensibility even on a low level, it lost points with me. I would recommend it to those who don’t require a lot to be explained in films.


My review The Blackcoat’s Daughter (2015) appeared first on Riley on Film.

Pet (2016)

Kidnapping and caging a woman may be fine and dandy in a BDSM play ritual, like perhaps in Fifty Shades of Grey, but in this film it’s not asked for or welcomed and that’s a horror most people can’t imagine.



“A psychological thriller about a man who bumps into an old crush and subsequently becomes obsessed with her…” -IMDB


Dominic Monaghan Seth
Ksenia Solo Holly
Jennette McCurdy Claire
Da’Vone McDonald Nate

Directed by

Carles Torrens

Written by

Jeremy Slater

Other Info

Horror, Thriller
Fri 02 Dec 2016 UTC
IMDB Rating: 5.7

Pet isn’t the best thriller of 2016. I’ll venture to say 10 Cloverfield Lane is that. But it has its moments and if nothing else, you wonder what such a stupid psycho killer will do next. Since this film is still quite new, I won’t engage in spoiling the twist. Suffice it to say, I saw it coming. The film does raise the interesting and creepy question as to whether you or I could handle this sort of entrapment and confinement. What lengths would we go to to be set free?

Dominic Monaghan (Lost) plays the “touched” psychopath well. He’s an animal control officer by day which is rather fitting since he’s a killer in his off hours as well. But this movie isn’t about killing so much, it’s about confining someone, holding them against their will. If you’re like me, that’s a quite uncomfortable notion. This film definitely makes you feel discomfort all throughout. Is the end satisfying or mundane and noncreative? You be the judge and then let me know in the comments.

In the final analysis, this is not an amazing piece of craftmanship. We see a lot of tired conventions seen in prior thrillers. You might be tempted to yell at the screen to help avoid a few times but it probably won’t work. Despite the weak script and tired conventions, the raw fear of being detained against your will is what makes this film worth watching. That is such a scary prospect for most people, I think the film would work regardless of any flaws. The question is: does it work in an amazing way I feel like writing more that 355 words about? No. I recommend it for a light hearted scare/thrill.


My review Pet (2016) appeared first on Riley on Film.

Movie Review: ‘E.T. The Extra Terrestrial’

ET might as well be subtitled ‘A Gen-X childhood.’ Those of us who were around age 10 in 1980 received this film that was aimed right where we live.


E.T. The Extra Terrestrial

Dee Wallace, Henry Thomas, Peter Coyote

Directed by

Steven Spielberg

Written by

Melissa Mathison

Other Info

Family, Sci-Fi
Rated PG

Suburbs had been a thing in the 60’s and 70’s but they were blooming all over the American map in the 80’s. ET isn’t the only film from that decade that features them prominently. They are still very much with us today but there was rarely a time when new suburban plots and neighborhoods reminded so many people in America of home. The alien named ET is the interloper who walks across the suburban threshold and gives us an accounting of what we’ve done and where we’re headed. There is also a part of ET that will always appeal to any child. He is the little green man with magical powers that all the kids want face time with. He’s the pet on the street that every kids wants until the next cute one comes along.

ET came on the heels of Star Wars and Close Encounters of the Third Kind. I remember seeing ads, on paper, that described what the film was going to be about. It explained the meaning of the term ET “Extra Terrestrial.” A creature from a place other than Earth. There was no photo but I think his green finger was pointing. This built incredible suspense or me at that age about a mysterious creature that Steven Spielberg was going to show us.

When the film starts out, we are in a tract home kitchen. There are Mexican designs like stucco visible but it might as well be a cookie cutter copy of what most American kids recognized as home. The kids are playing a board game and a single mother is supplying them with munchies, a pizza is on the way. This could not be more Americana, to me anyway. What makes it even more close to home for me is the way the mother (Dee Wallace) is a real estate agent. My dad was a real estate agent most of my young life in an Orange County city called “Mission Viejo.” It looks almost identical to the town in this film.

There is a little sister Gertie (Drew Barrymore) and an older brother Mike. Elliot is the middle child who makes the strongest connection with the alien. One night, after being left behind by his ship, ET is discovered by Elliot and that’s where the meter play begins. We get an other-worldly look at ourselves as earthlings through the eyes of this alien called ET.

Spielberg has been making movies that do this for decades. If you recall Back to the Future and the way it took us on a ride back to our childhoods to observe the choices the characters made and how they affected their future. Wouldn’t it be grand to go back and change things? I think it’s a very human thing to wonder that and therefore Spielberg’s film appeals to many. ET has a conflict with grow ups (who might report him to the authorities) and the government, NASA to be specific. In the film, I think Spielberg is showing us about ourselves and the way we want to conquer and own something alien rather than respect and learn from it.

There’s a hypnotic effect that comes from scenes with ET. He is such a creative figure. I heard that Spielberg wanted to make a creature that appeared ugly but would still be endeared to children and adults because of his mannerisms and actions. For many years after the film was released, there were ET shirts and toys selling off the shelves. Watching ET, especially in the final scenes, almost puts me in a trance every time I watch it. He gives the film a dreamy aesthetic that evokes wonder without fear.

I remember the Halloween scene so well because it reminded me of when I would go trick or treating. ET is still being hidden from the mother but the kids pull it off by pretending he’s Gertie dressed up like a ghost in a sheet. He is about her height. To me, this movie is more of a flashback to my childhood than a move plot to be reviewed. I would recommend it to any human as a heartwarming film about childhood. At the same time, know that it is a little sing-song and certainly there is no intense action or definitely no horror. This is a family film with enough of an edge to keep it highly suspenseful and engaging. It has the fingerprint of its household name producer on it for sure. As a classic film of all time, I highly recommend it to you.

My review Movie Review: ‘E.T. The Extra Terrestrial’ appeared first on Riley on Film.

Miss Sloane (2016)

Jessica Chastain has made a string of amazing films lately. I just reviewed her most recent one, The Zookeeper’s Wife. She is getting to be a sure bet when it comes to choosing a film to watch. This one is no exception.

Director John Madden is known for Shakespeare in Love (1998), The Best Exotic Marigold Hotel (2011) and The Debt (2010). These are all powerful films in their own right. This story needed him to direct it because it is a larger than life story with powerful implications to women.

Jessica Chastain plays Elizabeth Sloane, a rough and tough female lobbyist who gives the “good old boys” of Washington a run for their money. She plays the tough woman well though it isn’t always the one we see her cast in.

The story goes like this: Miss Sloane will do whatever she needs to get the deal to go down. This is not different from a lot of legal and political dramas we’ve seen over the years. What makes it different is that she is just like the male stereotype in the field, even keeping her own male prostitute after a long hard day.

This is a compelling film to watch that never left me bored. Some of her consequences are predictable but that doesn’t mean I didn’t enjoy watching them play out. How hard can one go until one blows a gasket mentally? Miss Sloane is representative of women who have become like the traditional “Alpha Male” and we certainly don’t begrudge them the right to. Whether it’s the best option as a career is an interesting topic for discussion. I heartily recommend this to keep you on the edge of your seat.


My review Miss Sloane (2016) appeared first on Riley on Film